Arnold & Richter Cine Technik GmbH & Co. Betriebs KG, München

The ARRI Group is the world's largest manufacturer and distributor of motion picture camera, digital intermediate and lighting equipment. Throughout its 90-year history, ARRI has been associated with constant innovation and revolutionary technologies. From the legendary ARRIFLEX 35 - the first motion picture camera with a reflex mirror shutter, to the ARRIFLEX D-21 - the most advanced film style digital camera in the world, ARRI has set the standard that others follow.

ARRI's innovative products have been recognised with a total of 13 Scientific and Engineering Awards from the Academy of Motion Picture Arts and Sciences. In recent years, the focus has been on improving analogue technologies, advancing new digital technologies and, most crucially, on developing ways of combining the two in order to maximise image quality.

With a worldwide network of sales, rental and postproduction facilities, ARRI meets the uncompromising needs of even the biggest international clients. Whether it be Quantum of Solace, starring Daniel Craig, or Valkyrie, starring Tom Cruise, top level productions continue to rely on ARRI products and services.

ARRI Cameras – Capture Your Imagination

ARRI camera systems include a complete range of 16, 35 and 65 mm format cameras, lenses and accessories, as well as the ARRIFLEX D-21 film style digital camera. For 90 years these tools have evolved constantly to meet the exacting demands of leading filmmakers. ARRI equipment has proven itself time and again both on set and in the most extreme climatic conditions: from the frozen arctic and the scorching desert to the depths of the ocean and even to outer space.

ARRI Lighting

ARRI's extensive range of lighting products offers an abundance of creative lighting solutions. ARRI lights are put to use across the world on feature film and TV productions, in TV studios, at major sporting events and for industrial applications.

ARRI Digital Intermediate

In just a few years, ARRISCAN, ARRILASER, and ARRICUBE have established themselves as the standard applications for demanding post production facilities.

The digital intermediate process has already become a conventional part of moviemaking – hardly a film is produced today without scanned camera negative and a digital post production process.

Typically release prints are made from a laser recorded internegative and DCPs (digital cinema packages) are created to offer a digital distribution pipeline.

In support of the DI and feature film effects industries, ARRI is continuing to extend it's product range.  The latest product is the RELATIVITY Software, a powerful suite of software tools offering unprecedented control of texture and time.

Welcome to ARRI's Postproduction Services

Our Philosophy: The best support for your vision at the highest quality.
Our Personnel: Experienced, creative and ambitious specialists.
Our Technique: State of the art equipment for classic and digital postproduction.